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With the exception of an occasional high-profile commercial bankruptcy, like that of luxury department store Barneys New York Inc in 2019, Morris oversees mostly consumer bankruptcies in Poughkeepsie, New York. On the other hand, if the debtor is presenting his own case, she can sometimes help guide that person, she said. Watching a lawyer who is not making the best case for a bankrupt client can be heartbreaking in her eyes – though she says most of the attorneys she sees are competent and caring. “So one of the things you want to do as much as you possibly can – and I think this is true of all judges but I really feel very committed to it in a consumer case – you want to get it right.” “Most of the people that come before us that are consumer filers do not have the resources to appeal,” Morris said in a recent interview with Reuters. Twenty-one years after joining the bench, she has retained her passion for working with people who seek help via bankruptcy. Bankruptcy Court for the Southern District of New York throughout her judicial career, which has largely focused on consumer cases rather than corporate ones. That approach has served as a guiding principle for Chief Judge Cecelia Morris of the U.S. But the one she tries to keep top of mind is that those people often can’t afford to appeal a ruling they think is wrong.
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Judicial Consent is too obvious and too conscious of its genre.(Reuters) - For the chief judge of one of the busiest bankruptcy courts in the country, doing right by the debt-burdened individuals who appear before her is critical for many reasons. As Martin, gifted character actor Coleman is wasted in an unrewarding role, while Wirth mostly acts on his handsome looks as the stranger with a “mysterious” motive. Patton, who is usually brilliant in small offbeat roles, is miscast here in the underwritten role of the bland husband we never get a sense of the kind of marriage the Warwicks have. Lawyers, particularly women, might find offensive an erotic scene under the table in Gwen’s office, reaching orgasm while negotiating an important assignment on the telephone. Dark lofts, swinging doors, empty parking lots, and so on are all nicely handled, but they’re also familiar to an audience that always seems to be ahead of the story’s characters.īedelia gives a dominating performance, but the woman she plays is too intelligent and too bright to behave in such senseless manner. Though a first-time helmer, Bindley gives his picture a smooth and polished look, displaying some mastery over the genre’s tricks– and visual cliches. The courtroom format relies heavily on fine-tuned dialogue and unanticipated revelations, but Bindley’s writing, specifically in the court sequences, is borderline banal and the disclosures made not particularly suspenseful. Realizing she’s been set up, Gwen begins a desperate race against time to prove her innocence. Soon, what seemed “circumstantial” evidence turns out to be a well-planned and planted case, resulting with Gwen as the prime suspect. When Gwen’s roguish colleague, Charles Matron (Dabney Coleman), “a chronic flirt,” is found dead in his office, she’s asked to preside over his murder case. Seemingly curious and sexually unfulfilled, one night she follows Martin (Billy Wirth), a sexy law clerk, into his office and a steamy affair evolves, though she knows nothing about him. Gwen Warwick (Bedelia) is a stern, accomplished criminal court judge, soon to be appointed to the Michigan State Supreme Court. As such, it’s best suited to the tube with good prospects on video.
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Its star, the graceful Bonnie Bedelia, does an honorable job, but the film’s “B” plot and its lack of sustained suspense make it just another generic item. Judicial Consent aspires to belong to the league of suspense thrillers about female lawyers, like Jagged Edge with Glenn Close or Cher’s vehicle, Suspect.